Packaging and Merchandising Design / Project 1: Uncle Jeff Kombucha Label Redesign

27/10/2025 - 03/11/2025 (Week 06 - Week 07)

Aveline Kristie / 0372310 

Packaging and Merchandising Design / Bachelor of Design (Honours) in Creative Media / School of Design

Project 1: Uncle Jeff Kombucha Label Redesign


TABLE OF CONTENTS

1. Lectures

2. Instructions

3. Tasks

4. Feedback


1. LECTURES


Fig 1.1 Week 3 Lecture


Fig 1.2 Week 4 Lecture


2. INSTRUCTIONS


3. TASKS

Project Brief

Fig 3.1 Project Brief PDF, Week 5 (20/10/2025)


Fig 3.2 Uncle Jeff Kombucha Original Label Design, Week 5 (20/10/2025)

1. Visual References & Sketches

To start, I begin by searching for visual references, colour scheme, and typography. I decided to go with Nutmeg for my kombucha flavour label design. Since I decided to go with a rustic traditional design style, I feel that nutmeg is a good choice for the flavour.

Fig 3.3 Visual References & Mood Board, Week 5 (25/10/2025)

For the colour scheme, I chose warm tones such as brown, warm red, dark orange, and olive green to create a more traditional feel. As the original label design was quite playful, I wanted to retain some of that playfulness in the typography. I selected playful typefaces for the brand name and subtitle, while keeping the rest clean and simple with a sans-serif typeface. To emphasize the traditional aspect, I plan to use a Malaysian batik pattern as the label's border to enhance the sense of cultural authenticity.

 

Fig 3.4 First Sketch Attempt, Week 5 (25/10/2025)

At first, since I noticed that the characters in the original label looked quite unique, I planned to make that the brand identity for the logo. However, Mr. Shamsul suggested that it would be better to keep the logo simple, so he chose my second logo idea instead.


Fig 3.5 Second and Third Sketch Attempt, Week 5 (25/10/2025)

For the label sketch design, I decided to go with the second one, as it looks more minimalist yet more eye-catching. Mr. Shamsul also agreed with my choice. However, I will replace the previous logo with a nutmeg visual as the main focal point, similar to the third sketch, while keeping the second layout since it has a better visual hierarchy.


Fig 3.6 Original Label Design, Week 6 (27/10/2025)

The issue with the original label design is that it contains too many elements and lacks visual hierarchy, making it look crowded and without a clear focal point. The design also makes it difficult for customers to recognize the flavour, and even the different bottle sizes have completely different designs, which should not be the case.

In my redesign, I made the nutmeg visual the main focal point so that customers can easily recognize the flavour. I also made “Kombucha Sparkling Tea” more visible to make the label more eye-catching and spark curiosity.


Fig 3.7 Uncle Jeff Kombucha Original Logo Design, Week 6 (27/10/2025)

Additionally, I added key selling points such as “100% Local Tea Leaves” and “No Artificial Flavourings” on the front to enhance clarity and help customers quickly understand the product’s quality and authenticity. I also redesigned the logo to appear more authentic and artisanal, rather than just using the initials “UJD” as in the original design.


Fig 3.8 Uncle Jeff Kombucha Original Information, Week 6 (27/10/2025)

I also retained the original nutrition facts, ingredient list, and information about kombucha in my redesigned label. However, I also included other important details such as the manufacturer’s information, contact details, and a barcode that links to the brand’s social media, making the design more informative and professional overall.

2. Label Digitization

For the digitization step, I began by downloading the label template provided by Mr. Shamsul to start working on my design. I then inserted my sketch into the template to visualize how my label would look in the actual format.


Fig 3.9 Label Template, Week 6 (29/10/2025)


Fig 3.10 Sketch Placement, Week 6 (29/10/2025)

However, when I started digitizing, I realized that my label sketch did not match the size of the template. Because of this, I had to improvise and adjust my design. I decided to make the inner section curved at the top to emphasize the batik border more, and I started placing the elements to explore different layout possibilities.


Fig 3.11 Digitization Progress, Week 6 (30/10/2025)

Next, I created the nutmeg visual using the Pen Tool, referencing real nutmeg pictures I found on Pinterest. 


Fig 3.12 Digitization Progress, Week 6 (30/10/2025)

For the batik background, I recoloured it in Photoshop to have an olive-green tone with a hint of matcha essence, as the ingredients include green tea and I wanted to enhance that element visually.


Fig 3.13 Digitization Progress, Week 6 (30/10/2025)

Later, I decided to make the borders curvy at both the top and bottom to give a more dynamic shape.

 

Fig 3.14 Digitization Progress, Week 6 (30/10/2025)

To maintain the playful aspect of the design, I also designed a character inspired by the original label, a boy’s face as a decorative feature.


Fig 3.15 Digitization Progress, Week 6 (30/10/2025)

I redesigned the logo using the initials U and J for Uncle Jeff, as well as recreated the “100% Handmade” logo using the Pen Tool. I also added the Halal logo for completeness. Since I wanted the design to be more eye-catching and playful, I made all the logo information appear as if they were nutmegs, adding a fun and organic touch rather than a minimalist one.


Fig 3.16 Digitization Progress, Week 6 (30/10/2025)

Once I completed all the design elements, I started placing them based on my initial sketch, beginning with the front label.


Fig 3.17 Digitization Progress, Week 6 (30/10/2025)

Then, I re-drew the scoby and other visual elements for the side section labeled “What’s in Kombucha.” 


Fig 3.18 Digitization Progress, Week 6 (30/10/2025)

I kept the key information from the original label, updated the ingredient list, and included the “Keep It Cold” instruction. I also added a QR code linked to Uncle Jeff’s Instagram account for a modern, interactive touch.


Fig 3.19 Digitization Progress, Week 6 (30/10/2025)

On the opposite side, I placed the nutrition facts, along with details indicating that it is made in Malaysia. I retained all important warnings such as “Do not shake” and “Drink once opened.” Since the original label lacked sufficient information, I added placeholders for the manufacturer, batch number, expiry date, contact information, and a dummy barcode to make the design more complete and professional.


Fig 3.20 Digitization Progress, Week 6 (30/10/2025)

After finalizing the big bottle label, I adapted the design for the smaller (100ml) version to maintain consistency across both sizes.


Fig 3.21 Digitization Progress, Week 6 (30/10/2025)

However, for the nutrition facts table, I experimented with both filled and unfilled versions. In the end, I preferred the filled version, as it made the section stand out more, emphasizing its importance as key information.



Fig 3.22 Digitization Progress, Week 6 (30/10/2025)

After today's feedback session, Mr. Shamsul gave me several suggestions to improve my label design. He advised me to make the border radius smaller so that it doesn’t look too exaggerated. For the “Kombucha” text, he suggested rounding the corners. He also recommended deleting the key selling points on the front part, as they make the design look a bit crowded and disrupt the visual flow. Additionally, he suggested reducing the text spacing and using a more standard or formal font for the body text to make it look less playful.


Fig 3.23 Digitization Progress, Week 7 (04/11/2025)

As a result, I used Wendy One for the main typeface, Love Ya Like A Sister Regular for the subtext, and Calibri for the body text. After completing the revisions on my label dieline, I then proceeded to create the mock-up again, which will be explained in the next section. Below is the final dieline for both the large (300ml) and small (100ml) bottle sizes.



Fig 3.24 Final Large Size Label Dieline, Week 7 (04/11/2025)


Fig 3.25 Final Small Label Size Dieline, Week 7 (04/11/2025)

3. Bottle Mock-up

The next step was to create the mock-up designs. I searched for bottle mock-up images online at freepik and downloaded the most similar bottles mock-up that resembled the original bottle shape.

 

Fig 3.26 Mock-up Making Progress, Week 6 (01/11/2025)

After I found suitable bottles for both the large and small bottle mock-ups, I inserted the mock-up PSD file into Photoshop.


Fig 3.27 Mock-up Making Progress, Week 6 (01/11/2025)

I edited it by adding my label dieline, creating a mask, and applying a multiply effect with 64% opacity. I also added shadows on the sides to make it blend better. I did the same for all parts of the dieline and ended up with three outcomes.


Fig 3.28 Mock-up Making Progress, Week 6 (01/11/2025)


Fig 3.29 Mock-up Making Progress, Week 6 (01/11/2025)


Fig 3.30 Mock-up Making Progress, Week 6 (01/11/2025)

After receiving the latest feedback from Mr. Shamsul, I revised my label design, so I needed to redo the mock-up process using the updated label design in the same way as before.

Fig 3.31 Mock-up Making Progress, Week 7 (04/11/2025)

 

Fig 3.32 Final Large Bottle Mock-up Design, Week 7 (04/11/2025)

For the small bottle, I couldn’t find a similar-looking bottle to the original since most of them were premium and required a subscription to download. So, I chose the most suitable bottle design instead. 


Fig 3.33 Mock-up Making Progress, Week 6 (01/11/2025)

The process was exactly the same as for the large one, and I also ended up with three outcomes.


Fig 3.34 Mock-up Making Progress, Week 6 (01/11/2025)


Fig 3.35 Mock-up Making Progress, Week 6 (01/11/2025)


Fig 3.36 Mock-up Making Progress, Week 6 (01/11/2025)

Also after the latest feedback, I renew the mock-up outcomes with the newest label design version.


Fig 3.37 Mock-up Making Progress, Week 7 (04/11/2025)

 

Fig 3.38 Final Small Bottle Mock-up Design, Week 7 (04/11/2025)

4. Final Outcome

A. Dieline Final Outcome


Fig 3.39 Final Large Label Size Dieline, Week 7 (04/11/2025)


Fig 3.40 Final Small Label Size Dieline, Week 7 (04/11/2025)


Fig 3.41 Final Label Design Dielines .PDF, Week 7 (04/11/2025)

B. Mock-up Final Outcome


Fig 3.42 Final Large Bottle Mock-up Design, Week 7 (04/11/2025)


Fig 3.43 Final Large Bottle Mock-up Design, Week 7 (04/11/2025)

 

 Fig 3.44 Final Bottle Mock-up Designs .PDF, Week 7 (04/11/2025)


4. FEEDBACK

Week 6: Mr. Shamsul approved my sketch. He suggested me to go with the simpler logo and use playful typefaces to enhance the playfulness.

Week 7: Mr. Shamsul advised me to reduce the border radius, round the “Kombucha” text corners, remove key selling points, tighten text spacing, and use a more formal body font.

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